An Ode to P.K. Page

I was a bewildered, second-year Canadian literature student, and I had been offered an extension on my assignment in exchange for my attendance at a local reading by P.K. Page. Good little procrastinator that I was, I climbed into the back of a classmate's sub-compact and agreed to put in my time. Don't get me wrong, I had done my reading, and liked Page's work as well as anything else. I was, however, weary of the practice of chopping perfectly good poetry into tiny, nasty, academic morsels. I wanted to read and enjoy, without having to explain or dissect. Oh well, an extension was an extension, and a night away from residence did seem appealing.

Page was a gentle, grandmotherly figure who read her work patiently, reverently, and made witty comments between pieces. Crunched into the back corner with my peers, I was actually enjoying myself, until an eager pilgrim at the front stood up and offered her own dissertation-length analysis. I rolled my eyes and sighed. Was it really necessary to fluff one's own feathers like this, in public, and in front of the poet herself? Could a person just listen and enjoy, without having to pick the poem apart like a pithed laboratory frog?

In addition to being a driving force in Canadian poetry, P.K. must have been psychic, or else had hearing keen enough to pick up my grunts of disapproval. She refused to participate in scholarly ego-stroking, and told the audience member something like "Why should I tell you if you're right or wrong? It's not my job to approve or disapprove your views. Just take from it whatever you want to take from it. "

With a lash of her tongue, P.K. Page had reclaimed poetry for me. I no longer felt guilty for saying things like "I like it." and "It's good." I was free to read in bed and let things wash over me, without having to justify my enjoyment. Now a writer myself, I expect nothing less from my own readers.

Cheers to you, P.K.!